SyndicateMizzou

Generating Graphic Designs

(LuAnne Roth) — Wed, 03 Oct 2007 19:04:55 GMT

In an office immersed in brilliant lime green and blue, Deborah Huelsbergen sits in front of her computer screen, with its Fruitloops screen saver, digging through boxes to pull out examples of her artwork. An associate professor of art and graphic design at Mizzou, Huelsbergen highlights two recent projects--both illustrated children’s books.

“As Far as the Pi Can See”

(Sean Powers) — Thu, 07 Feb 2008 06:00:00 GMT

Great celestial bodies populate the solar system. For an untrained eye staring at the heavens, the starlight spectacles and endless seas of blackness are nothing short of a miracle. Researchers, however, have developed mathematical equations that may help us understand such mysteries of the universe. From Isaac Newton’s Law of Universal Gravitation to Albert Einstein’s General Theory of Relativity, the scientific community has paved the way for a greater understanding of the great beyond.

If Antiquities Could Talk

(LuAnne Roth) — Wed, 23 Apr 2008 05:00:00 GMT

Alex Barker wears several different hats in MU’s Department of Anthropology and the Museum of Art and Archaeology. One of these hats involves his research and fieldwork on the European Bronze Age and the ancient American southeast. The other involves the directorship of MU’s Museum of Art and Archaeology. Standing at the crossroads of several disciplinary fields, most of Barker’s field research has in recent years dealt with a single broad question: how social complexity grows out of egalitarian societies. His fieldwork in North America and the Old World follows this transition over different periods and regions.

When Pottery Bolsters the Spirit

(LuAnne Roth) — Wed, 04 Feb 2009 06:00:00 GMT

“Ceramics is a very demanding discipline,” explains Bede Clarke, MU Professor of Art. Even after 35 years in the field, he says, “it still takes a lot out of me to do good work.” Clarke’s creative activity focuses on two areas. One involves the use of color and drawing and painting on clay with abstract and figurative imagery, and the other is wheel-thrown pottery fired in a wood kiln to achieve glaze effects.

Cultural Connections

(Tanya Sneddon) — Tue, 01 Sep 2009 05:00:00 GMT

Brush in hand, Lampo Leong carefully dips the pointed tip into a small pool of jet black ink. He quickly moves the ink-laden brush towards the dry rice-paper on the table, a thin, tan sheet held down at the edges by paperweights. A brief pause, and then Leong dashes the brush to the paper, the tip and side jumping and dancing across the sheet with intense, determined movements. As the brush reaches the end of the paper, Leong steps back, sets it down, and clasps his hands together. “This is cursive Chinese calligraphy,” he explains.

Picture Book Romance

(Jessica Huang) — Tue, 17 Nov 2009 06:00:00 GMT

Anne Rudloff Stanton loves romance. She loves the way it looks, the way it sounds, and the way it smells—but only when it’s found in the margins of 14th-century books. The professor of Art History and Archaeology describes one example—a small drawing of a man leaving a woman—and she leans forward as if she were talking about a mutual friend of ours. “There’s this long sequence of the story of Moses, who, as you may not know, was married before he married Zipporah,” she begins. “He first married the daughter of the king of Ethiopia.”