<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel>
    <title>SyndicateMizzou</title>
    <link>http://www.syndicatemizzou.org/articles</link>
    <pubDate>Mon, 14 Jan 2008 18:31:47 GMT</pubDate>
    <description>Connecting you with the University of Missouri’s innovative research and creative activity</description>
    <item>
      <title>Performing the Self</title>
      <link>http://www.syndicatemizzou.org/articles/show/70</link>
      <description>M. Heather Carver is framed by her clown shadow—a black mannequin head wearing a pink camouflage hat and red clown’s nose—as she joyfully begins to describe her place at MU.  “I come from a background of performing,” the Associate Professor of Theatre offers.  “As a means of studying something, we perform it.”  As a way of studying autobiography, for example, Carver performs autobiography. </description>
      <pubDate>Fri, 30 Nov 2007 06:00:00 GMT</pubDate>
      <guid>http://www.syndicatemizzou.org/articles/show/70</guid>
      <author>(LuAnne Roth)</author>
    </item>
    <item>
      <title>Reading the Visual</title>
      <link>http://www.syndicatemizzou.org/articles/show/71</link>
      <description>The fact that Nancy M. West finds herself focusing so heavily on the visual in her research and teaching may at first seem to be “a sort of a curious thing,” but for the associate professor of English this fascination for the visual extends all the way back to a childhood devoid of photographs.  “I love thinking about what photography means to people. Having grown up with very few photographs in my household, I’ve always been drawn to them,” she admits.  It was no surprise, therefore, that West stumbled upon her first book project while scrounging through the bargain bin of an antique store: “I came across all of these old Kodak ads from the turn of the century, and I thought they were amazing.  The images were just breathtakingly beautiful.  The captions were unlike those we see now in ads.  They were much more elaborate, much more descriptive.  They addressed the consumer in very interesting, clever ways, and I just fell in love with them.”  And at that serendipitous moment, the idea for _Kodak and the Lens of Nostalgia_ (2000) was conceived. </description>
      <pubDate>Wed, 13 Feb 2008 06:00:00 GMT</pubDate>
      <guid>http://www.syndicatemizzou.org/articles/show/71</guid>
      <author>(LuAnne Roth)</author>
    </item>
    <item>
      <title>Between OT and IT</title>
      <link>http://www.syndicatemizzou.org/articles/show/121</link>
      <description>Ever since the third grade, when an assistant principal generously offered to teach him and two classmates French, John Miles Foley has been curious about how languages work.  Starting with the early epiphany that language is always embedded in culture, Foley followed this line of thinking until it led to oral tradition, which the MU Professor of Classical Studies and English has now been researching for over three decades.  It will surely be a lifelong journey, for the field far outstrips written literature in size, diversity, and social function.  In fact, all the written literature we have, Foley is fond of saying, “is dwarfed by oral traditions.”  </description>
      <pubDate>Wed, 28 Apr 2010 05:00:00 GMT</pubDate>
      <guid>http://www.syndicatemizzou.org/articles/show/121</guid>
      <author>(LuAnne Roth)</author>
    </item>
  </channel>
</rss>

