http://www.syndicatemizzou.org Sat, 11 Feb 2012 10:22:22 GMT en-us 40 Center for eResearch Connecting you with the University of Missouri’s innovative research and creative activity http://www.syndicatemizzou.org/images/logo.png 384 80 http://syndicatemizzou.org/resources/carver/ipod/Carver01.m4v Education http://syndicatemizzou.org/resources/carver/ipod/Carver01.m4v Heather Carver describes herself as “a performance studies artist/scholar,” someone who investigates an issue through performance—“so we study autobiography, and we do autobiographical performance.” Carver teaches several kinds of creative writing, at both the undergraduate and graduate level, in adaptation and performance of literature for theatre and the screen. She also co-directs the Writing for Performance Program, which helps students adapt different kinds of writing for the stage or screen, including poetry, short stories, autobiography, or ethnography. And Carver serves as creator and artistic director of the Life and Literature Performance series to showcase original and adapted work by MU students for the stage. 3 Wed, 28 Nov 2007 01:56:49 GMT http://syndicatemizzou.org/resources/west/ipod/West05.m4v Education http://syndicatemizzou.org/resources/west/ipod/West05.m4v With her continual interest in adaptation study, West has already visualized her next research project, which will reflect on what it means to adapt a novel to the screen, specifically in the case of _Masterpiece Theatre_. “_Masterpiece Theatre_ fascinates me because it’s an example of what’s called ‘good television.’” Released in the 1970s, it was “designed to appeal to more intellectual, educated viewers. It was designed for our parents,” reports West, and for years it thrived on that identity. “But if you watch _Masterpiece Theatre_ now, it’s totally different…. It’s clearly geared to a much younger audience. Instead of writing faithful adaptation, they radically re-write the plots, interject back-stories, introduce new characters, and use some of Hollywood’s hottest actors to play the roles. They are tailoring these films toward a twenty-first century audience—a younger one, a sexier one, one that is impatient with the idea of fidelity, one that wants a more experimental adaptation.” West plans to look at _Masterpiece Theatre’s_ last ten years so see what those experiments might reveal. “If nothing else,” she jokes, “it will allow me to watch a lot of old _Masterpiece Theatre_ episodes with my mother, who is a huge fan!” 3 Wed, 13 Feb 2008 21:29:32 GMT