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Articles Tagged with fieldwork

Evangelical Africanist

An interview with Robert Baum, Associate Professor, Department of Religious Studies

Being a religious studies professor means that Robert Baum is frequently asked about his own religion, to which he responds cheerfully, “I’m an Evangelical Africanist,” a remark that reveals his “deep commitment to make sure Africa is included whenever we talk about the world.” Running through all of Baum’s work—whether teaching, research, or outreach—is a value on religious literacy, the desire to promote a better understanding of the world’s major religions.

Audio and Video Tagged with fieldwork

How Barker Came to this Field

From an interview with Alex Barker, Director, Museum of Art and Archeology

“I could never decide what I wanted to do,” recounts Barker. “I was interested in everything. People have described archaeology as being a discipline that takes from all the other disciplines. He began his career in archaeology at a very young age—during middle school, in fact—doing field camps through a Northwestern University program in southern Illinois, where he helped to excavate a series of very large sites. After doing a few seasons there, Barker was hooked.

Fieldwork in Senegal

From an interview with Robert Baum, Associate Professor, Department of Religious Studies

In 1974, Baum received a Thomas J. Watson fellowship to study Diola religion in Senegal. He lived in a southern Diola community, learned the language, gained the community’s trust, and has returned there over the years to conduct historical and ethnographic research. “I learned the language, learned how to wrestle, how to work in the rice paddies, how to climb palm trees, how to harvest palm wine, [and do] some of the dances.” Baum never used an interpreter. Only after participating in the community for a year, and learning the language, did he feel ready to begin doing interviews. Baum recollects the process: “I kept going back, and by that time I’d been adopted by my family and was considered part of the community. I had a Diola name and nicknames, I publicly danced sacred dances, I wrestled, and was thrown to the ground—which is certainly a way of winning acceptance in a community and defying certain stereotypes of what it means to be white or European in an African culture.”